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results 1-20 of 66 item(s)  page 1 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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 Image: Title: Description:

1. [Bookplate for Herbert Spencer Stvdy] [Bookplate for Herbert Spencer Stvdy] Woman is Mnemosyne, personification of memory in Greek mythology, or Vigilanza / Vigilantia wearing a loose gown and with hair tresses. Holding oil-lamp in her left hand, and closed book in her right hand. Flanking the right side of Vigilantia is an olive tree. Behind the torso of Vigilantia is a shelf of books, and behind her head is a landscape with a castle overlooking a lake, surrounded by mountains, and a cloudy sky. Ex Libris part of image.

2. [Bookplate for R. Mackay Fripp by H. A. W.] [Bookplate for R. Mackay Fripp by H. A. W.] Within a multi-lined border is a depiction of crumbled Greek architecture, with fallen columns in the foreground. The name of the originator is written on a banner at the bottom of the frame, and below that is a small heraldic shield with a bull. The motto is written on a small banner that passes behind the shield.

3. [Bookplate for Amelia Alexis Alvey by Eva Alvey Richards] [Bookplate for Amelia Alexis Alvey by Eva Alvey Richards] This is a pictorial bookplate created using brown ink on thick ivory paper. A nude female, portrayed kneeling on a pedestal, gazing down at an open book. A lamp is in nude's right hand and a caduceus (symbolising medicine) is in her left hand. Hanging from the caduceus is a scroll of music with legible musical notation. Placed in front of the nude is a large open book with objects placed on the left page. These objects (from left to right) consist of: an empty retort (symbolising chemistry), a round beaker, a small closed book, a microscope (representing biology), a beaker, and a test tube. A ribbon is tucked in the right pages of the book and reads "Ex Libris." Another ribbon below the book reads "Amelia Alexis Alvey." At the front of the pedestal are four heraldic shields. From left to right are: An argent shield with a eagle displayed, tongue protruding. On the chest of the eagle is a quartered per cross shield with the first and the sinister base are argent and the sinister chief and dexter base are black. Behind the shield is a palm. The next shield is argent with a fleur-de-lis ; below this shield are two irises. The next shield is argent with a beaver on it, around the shield are maple leaves. The final shield is argent with an eagle displayed clutching in its dexter talon palm leaves and in its sinister talon three arrows. Below the shield is a single rose.

4. [Bookplate for Wm. Read] [Bookplate for Wm. Read] This heraldic bookplate consists of an escutcheon, parted per pale gules (red) and argent (silver). The first half is charged with a bend wavy, charged with three birds. The second is charged with a chevron, with three roundlets, or (gold), one over two. Above the escutcheon is a straight wreath, charged with a bird. Between the wreath and escutcheon is a garter, and in place of mantling, stylized tree branches radiate from behind the escutcheon. The base of the tree continues below the escutcheon, and two banners are placed at the forefront. The first banner has Latin motto within, the second, bookplate owner's name.

5. [Bookplate for Albert Prince by Dempsey and Carroll] [Bookplate for Albert Prince by Dempsey and Carroll] This heraldic bookplate consists of an escutcheon, divided per cross, with quarters one and four also divided per cross. Within quarters one and four, the sub-quarters one and four are gules (red), charged with three lions passant guardant (for England). Sub-quarter two is or (gold), with a tressure-flory-counter -flory, charged with a lion rampant (for Scotland). Subquarter three is azure (blue), charged with a harp decorated with harpy figure features, stringed (for Ireland). The entire escutcheon is charged with a bar dovetailed, or a label, a cadency mark indicating being the eldest son (during his father's lifetime). Quarters two and three have a barry of ten, or and sable (black), with a bend in the shape of a ducal crown (without the cap). Surrounding the escutcheon is a garter, with first French motto within. Above the escutcheon is a royal crown. Supporting the escutcheon at dexter is a lion guardant, charged with a label. At sinister is a unicorn rampant, also charged with a label, as well as a royal crown without the cap as a collar. Below the escutcheon is a ribbon, with second German motto within. The entire achievement is surrounded by very fine lines, giving the impression of shadow.

6. [Bookplate for Garnet Joseph Wolseley by Charles William Sherborn] [Bookplate for Garnet Joseph Wolseley by Charles William Sherborn] This heraldic bookplate consists of an escutcheon, argent (silver), charged with a talbot passant, gules (red), and a mullet above at centre chief. The escutcheon is supported by a wolf, rampant clutching swords at dexter and sinister. The escutcheon is set within a garter-like setting, from which various military medals hang. Above the escutcheon is a viscount coronet, sans the cap, with a grated helmet at three-quarters, further delineating the rank of viscount. Upon the helmet rests a ducal coronet, which is charged with a wolf's head. Behind the wolf is a small banner with first Latin motto within (the family motto of Wolseley of Wolseley, Co. Stafford, Barts.), and below the supporters and escutcheon is a second banner, with second Latin motto within (the family motto of Wolseley of Mount Wolseley, Co. Carlow, Barts.), along with a larger banner with bookplate owner's name and title. Elaborate mantling radiates from the helmet, and the entire bookplate is encased in a ribbed border.

7. [Bookplate for John Charles Alison Heriot by Graham Johnston] [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. The bookplate designer's initials and the date of creation are hidden among the mantling. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. A smaller version of this bookplate may also be viewed at BP MUR SL P H475a.

8. [Bookplate for John Charles Alison Heriot by Graham Johnston] [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. This bookplate appears to be a smaller version of BP MUR SL P H475b, but the creator's initials are barely visible amongst the mantling.

9. [Bookplate for Hope Holmested by Thoreau MacDonald] [Bookplate for Hope Holmested by Thoreau MacDonald] This bookplate's design features a rising/setting sun on the horizon line of a body of water. Hovering above the water is an angel with hands in prayer, surrounded by several pairs of feathered wings. Stars appear in the heavens above and a fully risen sun or holy light glows from behind the angel's wings.

10. [Bookplate for F. H. Herrington by L. C. D.] [Bookplate for F. H. Herrington by L. C. D.] This bookplate's design features a learned Christian monk interrupted from his work, pausing, he looks outside of the frame at some unknown distraction. His desk is situated outside under a tree and the sun sets or rises behind him on the horizon. The brown tint to the monk's habit may indicate an affiliation with the Franciscan order or may merely be a design decision on the part of the artist.

11. [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] This bookplate consists of an escutcheon framed by a solid bordure. The escutcheon is divided quarterly ; first and fourth quadrants are lozengy, argent (silver) and gules (red) ; second and third quadrants are sable (black) with an or (gold) chevron, and three lion heads, two over one. The escutcheon is crested by a large earl's coronet. Above the coronet are two additional crests ; the dexter consists of a helm, sinister and grated, crowned by what appears to be a duke's coronet, and elaborate mantling ; the sinsister consists of a helm, dexter and grated, topped by a curved wreath, a gryphon passant, and elaborate mantling. The escutcheon and bordure are supported by a male "savage" on either side. In heraldry, the "savage" is a symbol of wildness and purity. Both figures are bearded and nude, except for a wreath of leaves to cover their middle section. Both figures hold a tree trunk. The dexter figure, who appears younger, holds the trunk with his right arm and it descends behind him. The sinister figure, who appears older, holds the trunk with his left arm and it descends in front of him. The escutcheon and the figures rest on a mantel, which is draped with a banner containing the Latin motto. From the mantel hang three medals ; the medal on the left represents the Order of the British Empire, the medal in the centre represents the Royal Victorian Order, and the medal on the right represents the Distinguished Service Order.

12. [Bookplate for George Herbert Wailes] [Bookplate for George Herbert Wailes] This bookplate consists of a combination of heraldic and pictorial elements. At the centre, is an ovular frame containing an image of a nude woman in a crouching position, and holding a flower pot in her open hands. From the pot, stands a single flower. Above the frame is a small escutcheon, argent (silver), charged with a crane. The crest is a dexter helm, itself topped by a straight wreath, and a horseman's spur and strap, accompanied on either side by a pair of wings erect. Behind the crest is a banner containing the Latin motto.

13. [Bookplate for Maxwell K. Heap] [Bookplate for Maxwell K. Heap] There is an elaborate border on this bookplate beginning with a rolled barred fillet with fleur-de-lis at each corner. Within this border are three additional black fillets the middle one is slightly thicker with alternating black and white bars suggesting a rope like pattern. The central image is of a large book overlaying a lighted torch behind it. Birds wings sit below the book supporting it.

14. [Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath] [Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath] The shield occupying the centre of the bookplate is quartered with rampant lions queue fourché on the dexter chief and sinister base, bendlets on the dexter base and a bend on the sinister chief. Two young figures act as supporters ; the one on the left holds an open book while gazing towards the sinister supporter. The shield and figures rest on an ornate panel with the ownership text. A heavy curtain is draped on top and to the left of the shield and behind it a book case is visible. At the bottom of the bookplate it is noted that the image is a reproduction of an old engraving (Nach einem alten Stich).

15. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is of a wooden brown Japanese fan with grey paper. The image on the surface of the fan is of several curled lines suggesting possibly jellyfish with several bubbles around them. A blue fish is following behind them. The paper fan has irregular jagged edges. The fan is oriented with the outward side of it facing towards the upper left.

16. [Bookplate for Ivan Glen Campbell] [Bookplate for Ivan Glen Campbell] The central image is a portrait shaped frame with banners along the top and bottom of the frame. Between the banners and contained by the frame is the central image of an open book behind a metal lamp with a black shade shedding light onto the book and everything else in the image. In front of the lamp on the left side is an ink jar and spare nibs and on the right is an ashtray and smouldering cigarette with the smoke drifting upwards and surrounding the lamp and book from above. While the two banners have statements within them the lower one also has four maple leaves, 2 on the right, and 2 on the left.

17. [Bookplate for Francis Marion Smith by Warren Stannard] [Bookplate for Francis Marion Smith by Warren Stannard] The "crest" is the profile of a blacksmith from the waist up holding with outstretched arms a hammer and tongs is before an anvil. Below the blacksmith is the text Ex Libris on a ribbon. A laurel wreath acts as supporters for the shield. On the shield, a printing press appears on the dexter side ; a cube with human faces and bold letters appears on the sinister chief ; and an anatomical human heart appears on the middle base. At the base of the shield, and behind it, a burst appears.

18. [Bookplate for William R. Ridell] [Bookplate for William R. Ridell] Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right.

19. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

20. [Bookplate for Alfred Hawksworth] [Bookplate for Alfred Hawksworth] Red ink on cream colored paper. A thin border in an alternating pattern of three-leaf clovers (trefoil) with a stem and simple curlicues. Border houses the name and number of the bookplate.
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results 1-20 of 66 item(s)  page 1 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
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